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Bill Laswell New York, New York
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REALM OF SPELLS
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On Common Ground
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supported by 6 fans who also own “Jihad”
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Rupt and Flex (1994 - 96)
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As a band, they were really doing something strange at the time by making music that sounded so resolutely like it came from the bedroom of a solo producer. "Vocals" are just snatches of floating sound, drums are often electronic... all the instruments sound electronic. They were clearly inspired by dub (who isn't) and started with stripped-down fragments, but then kept whittling down from there. Mood-wise they're bleak yet beautiful, like enjoying a solo walk in an industrial landscape.
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In The Shadow Of The Drone
by Gil De Ray
Dreamy, dubbed-out U.K. psych-rock that mixes aesthetics from across the decades for something strikingly contemporary.
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Dreamish
by Night Movies
London multi-instrumentalist pairs sturdy drum machine samples with heady shoegaze guitars, resulting in deftly constructed dreamscapes.
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Facade
by Shoeb Ahmad
A dazzling tapestry of sound, the latest from Shoeb Ahmad sets whispery vocals deep in electroacoustic soundscapes.
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After Such Knowledge, What Forgiveness?
by Submerged vs. Bill Laswell
